Malcolm Baity
Production DepartmentCamera and Electrical DepartmentSound Department
Malcolm Baity is known for Blackface (2017), The Blackening (2022) and Family Switch (2023).
Director
| Mama I Wanna March(2018) |
| Blackface(2017) |
| Brother's Keeper(2015) |
| Something to Look Forward to(2014) |
Writer
| Mama I Wanna March(2018) |
| Blackface(2017) |
| Brother's Keeper(2015) |
| Something to Look Forward to(2014) |
Actor
| Beep(2018)as Jason |
| Mama I Wanna March(2018)as Ben |
Producer
| Death at Dinner(2017) |
| Mean Ondine(2017) |
| Manic Pixie Dream Grind(2016) |
| Meshes of the All-Nighter(2014) |
| Something to Look Forward to(2014) |
Cinematographer
| Innocence(2016) |
| Oh, Christmas Tree(2015) |
Editor
| Devil's Luck(2017) |
| Brother's Keeper(2015) |
| Something to Look Forward to(2014) |
Second Unit or Assistant Director
| Manic Pixie Dream Grind(2016) |
| War Crimes(2016) |
Sound Department
| Morgan Evans - Day Drunk(2019) |
| Void(2017) |
| Friday the 14th(2016) |
| Brother's Keeper(2015) |
Camera and Electrical Department
| Till Death(2016) |
| The Voice from the Page(2016) |
| Switch(2016) |
| Dad in a Box(2016) |
| Raconteur(2015) |
Editorial Department
| Battle of the Brides(2016) |
Location Management
| Twins(2017) |
Production Department
| Family Switch(2023) |
| The Blackening(2022) |
| Abbott Elementary(2021) |
| Insecure(2016) |
| True Story(2021) |
Script and Continuity Department
| Transient(2016) |